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With a part-original line up, the reformed Angelettes still perform and recorded other excellent singles with limited success. Chorus Don't touch Don't touch, Don't touch, Don't touch You hurt my head too much I take that tylonol just to make the pain go hush Cause you mix up my feelings just enough to feel a rush I. The sentiment was frowned upon in some music circles but even before 1972 would be typical television programme humour. The lyric appears to issue sound fatherly advice about the consequences of virginity loss. This inspired the duo to record two songs, The Way I Want To Touch You and Disney Girls at a small recording studio (the size of a garage) located in the San Fernando Valley.
![touch you lyrics touch you lyrics](https://images.genius.com/a93aa23acd2e43352a997c1289d65f3b.763x763x1.jpg)
The chorus is catchy, but based on only two notes and constantly interrupted by the verse sung much slower. It has a unique cello introduction and a deep bass presence throughout.
![touch you lyrics touch you lyrics](http://images.rapgenius.com/alytcjgknf8bc3393mc8116zh.png)
In the Galleria all I get is buy me this. She kissing on me, biting on my bottom lip. It was banned and press publicity followed, as did a Luxembourg hourly Powerplay. You like when you talk to him, I mean you’re saying something. Even though, I know my heart Your hands can heal. Inexplicably, the sound failed during the performance coinciding with a rethink by the BBC as to whether the song should be played at all. Words & Music by Kirk Franklin Let me touch You and see if You are real. BRIDGE: I open up my heart to You I open up my heart to You now So do what only You can Jesus have Your way in. There is no hesitation In Your love and affection It’s the sweetest of all. Played by Radio Northsesa International, Luxembourg and Radio One, the Angelettes sought permission from school to appear on Top of the Pops. VERSE 2: You’re the fire in the morning You’re the cool in the evening The breath in my soul The life in my bones. There are so many curious aspects to this release. General CommentA largely forgotten song from early 1972 when the Angelettes reached 35 in the UK with this Decca single penned and produced by Jonathan King with the Johnny Arthey Orchestra.